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Everyone in his heart believes that there is a real distinction between works of art and all other objects; this belief my hypothesis justifies. We all feel that art is immensely important; my hypothesis affords reason for thinking it so. In fact, the great merit of this hypothesis of mine is that it seems to explain what we know to be true.
(Typographical errors above are due to OCR software and don't occur in the book.)
About the Publisher
Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology.
Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at www.forgottenbooks.org
- Published on: 1947
- Binding: Hardcover
- 292 pages
About the Author
Arthur Clive Heward Bell married Vanessa Stephen, sister of writer Virginia Woolf, and was part of the Bloomsbury group in the early 1900's.
Most helpful customer reviews
7 of 9 people found the following review helpful.
Not bad for a kid
By P.S. Woods
Bell wrote this when he was very young. In the preface he even hints at embarrassment over its overambitious breadth. His later "What Is Painting?" is MUCH better.
5 of 5 people found the following review helpful.
From the Past
By yonder
Clive Bell, born in England in 1881 and was considered a very important art critic, he married Vanessa Stephen who was the sister of Virgina Woolf, the writer who is one of my favorite writers. Clive Bell's Hypothesis on art is very alive today and I cherish his book, "Art" was printed in 1913. He believed in one of the theories of Kant, that is the form of art work is the essence of art and it forms the basis of aesthetics. The appreciation of Art is not dependent on the subject matter nor what the artist had in his mind at the time of conception. He relates art to itself and aesthetics of art can be found in all cultures.
This is an excellent historical rendition of the art period during his lifetime and as it continues to be very relevant today. In order for this book to be appreciated it is important to read about the group which includes the following:
Vanessa Bell -The Painter-Sister of Virginia Woolf-Wife of Clive Bell
Leoanrd Woolf-Publisher- Husband of Virginia Woolf
Virginia Woolf-Writer and sister of Vanessa Bell- The Fridays Club was formed with a few other people by Virginia Woolf
Roger Fry
Duncan Grant
SPR
Vanessa Bell
Selected Letters Vanessa Bell
Roger Fry: A Biography
The Hidden Houses of Virginia Woolf and Vanessa Bell
4 of 5 people found the following review helpful.
witty but rather flippant
By Simon Mauer
This book presents Bells one-sided view of what makes a painting or other art object "Art". I think there is some validity in his assertion that the formal aspect of painting (color and shape)is all important and the content (subject matter)is irrelevant. But this, I would contend, is only from the strictly aesthetic and theoretical perspective. He completely discounts any other aspect of visual art as irrelevant or detrimental to true Art. He claims to be uninfluenced at all by any content in so far as he is moved to a state of aesthetic "ecstasy". I find this difficult to believe since he also claims to find primitive art and Cezanne so moving and this art has rather strong content; how can we, or he himself, be sure that there is no influence of content there? He does claim to be move to aesthetic ecstasy by Persian carpets and pottery as well, and I imagine that he would soon be swooning over the non-objective art arriving the same year that his book was published, but I can't help doubting that when content is present he is unaffected by it in any way other than negatively. Be that as it may, if he is so completely able to remain abstract in his visual perception I envy his sensitivity but also pity it. He is ignoring the many other riches that come with feeling the content of art intermingling with the abstract form of art.
I suspect that he is not immune to such feelings but rather, like many a critic before and after his time,he is out to defend his taste and his brilliant new theoretical discovery about what constitutes real Art. Like most philosophical writing that is worth reading (with the possible exception of Aristotle?) his book is full of outrageous claims and self-contradictions. Bell presents his theory with much wit and in spite of being a rather narrow definition of Art, he makes a point well worth considering.
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